Event Update for “After the Factory” Premiere in Detroit

January 27, 2012 by Philip

We’re pleased to announce the participants of a panel discussion immediately following the premiere of After the Factory at 7pm inside the Detroit Institute of Art on Thursday, February 2 (buy your tickets here!).

The discussion will be moderated by Mikel Ellcessor, the general manager of our NPR syndicate here in Detroit, WDET 101.9. Panelists include:

  1. Grace Lee Boggs, author of The Next Great American Revolution and lifelong social activist and community builder.
  2. Martina Guzman, reporter with 101.9 WDET who has spent the last year composing a body of work titled the “Detroit-Berlin Connection” looking at ways the two-post industrial cities have/will develop(ed).
  3. Haman Cross Jr, pastor at Rosedale Baptist church on the Northwest side of Detroit. Pastor Cross has a very innovative appraoch to the church’s role in his neighborhood. More info on him .
  4. Margaret Garry of the German Marshall Fund. She works with the GMF’s Transatlantic Cities Network and was instrumental in developing Detroit’s relationship with Turin, Italy (another post-industrial giant) in 2009.
  5. Philip Lauri, director of “After the Factory”

Good news is that there will be an afterglow inside the DIA cafe immediately following the panel discussion, and then the afterPARTY will take place at Woodbridge Pub.

Hope to see you there and don’t forget to order your tickets in advance here.  See the Facebook invite <A href=”http://www.facebook.com/events/244579932278272/” target=”_blank”>here</a>.


Photo Evidence That Prince is in the House

January 26, 2012 by Philip


After the Factory European Screening Dates Announced

January 24, 2012 by Philip

Big news: we’re screening After the Factory in European cities immediately following the premiere in Detroit! We are very, very excited to say the least. Without further ado:

2/8/12 – Lodz, Poland – 630pm – Miejski Punkt Kultury Prexer-UŁ – Q+A and performance by Psychocukier
2/9/12 – Krakow, Poland – 7pm – Bunker of Art – Website – Q+A to follow
2/10/12 – Warsaw, Poland – 6pm – New Wonderful World – Website – Q+A to follow
2/11/12 – Berlin, Germany – 6pm – Center for Metropolitan Studies – Website – Q+A to follow
2/12/12 – Amsterdam, Netherlands – 3pm – Kriterion Film Theatre – Website/Tickets – Q+A to follow
2/15/12 – Heerlen, Netherlands – 8pm – Filmhuis de Spiegel Website – Q+A to follow
2/16/12 – Gent, Belgium – Venue to be confirmed
2/17/12 – Brussels, Belgium – 6pm – Venue to be confirmed
2/18/12 – Paris, France – Venue to be confirmed

I’ve always secretly wanted to play the part of touring rock band, so this is easily as close as I will ever come. Looking forward to the conversations and engaging with folks outside of Detroit about why the issue as a whole is significant and how Lodz and Detroit stand to innovate if they can get it right. We’re proud to be representing Detroit and Lodz in a new light– a side of both cities that many are unfamiliar with.

Anyway, if you haven’t gotten your tickets for the premiere in Detroit, well, here you go: click here.

Stay tuned to the AtF website for more details on screenings as they become available.

The trailer, in case you haven’t seen it:


Huffington Post Covers ‘After the Factory’

January 19, 2012 by Philip

The Huffington Post did a nice write-up on “After the Factory,” our documentary premiering at the Detroit Institute of Art on February 2 at 7pm (Get your tickets!). Check out the trailer for the film and then go ahead and read the article:


More Trans-Continental Dialogue: Detroit and Algiers

January 17, 2012 by Philip

Matt Clayson, director of the Detroit Creative Corridor Center, the organization we have been developing the Speakers Bureau content for, is currently spending time in Algiers, Algeria with the U.S. Department of State and the Aspen Institute as part of a delegation effort to help Algiers define and develop its creative sector. Clayson penned a post for the Detroit Regional News Hub that has some interesting observations in it, mostly because the issues they are trying to overcome in Algiers are things that we are working on here in Detroit.

From the post:

A discussion amongst leaders in Algiers’ creative community consumed most of the day. Our role was to listen and to share limited feedback, when appropriate.
The discussion covered three core areas of need as identified by our Algerian hosts: the need for government support, the need for funding and the need for a unified advocacy organization.

Rings familiar, eh? Sounds like some of the kinds of efforts drummed up months ago during the arts summit as part of the Detroit Works Project. This summit asked many questions around how our local government can be a part of fostering development from the creative sector. Their were a multitude of proposed solutions– public officials embracing the arts as part of Detroit’s external image or opening up some of the 60,000+ publicly-owned buildings to artists and small businesses. Other solutions hovered around the third point in Clayson’s observation, that is, having a unified advocacy group that advised the mayor’s office on policy catering to the creative sector.

More from Clayson:

[In Algiers] the educational infrastructure for the creative sector is inadequate implicitly forcing many wanting to pursue careers and practices in the creative sector to study overseas. The result … a predictable brain drain.

Again, something familiar. What’s interesting though, in our case, is that we have the educational infrastructure, we have a ton of it in fact. This presents a great deal of light at the end of the tunnel in the sense that our infrastructure is sound, now we just need to a better job of creating enterprise and opportunity. In other words, we aren’t starting from scratch, we just need to learn how to bridge the gap from graduation to employment.

Anyway, it’s interesting as we delve further in to dialogue about Detroit and other places around the world going through similar growth struggles. We are obviously big fans of this trans-continental exchange, trying to contribute in this realm with our upcoming documentary release After the Factory. With so many cities confronting similar issues in the face of large-scale globalization and economic re-tooling, can’t we make the transition process easier by learning how to work together/share ideas more effectively?